![]() Even it may sound obvious, you should better lock your video first, and then do further tweaks related to the audio mix later on.Īll in all, this workflow can be convenient on occasions when you’ve completed the rough video edit of let’s say an interview and then you want to add more audio elements to the timeline such as music beds, ambient sounds or any other special audio effects. Keep in mind, though, that if you want to tweak your edit further in the source sequence, you’ll need to render the audio once again as you’ll lose all the changes you’ve already made. Now, you can edit your audio clip just as any other piece of media imported in Premiere Pro CC. Once the process is completed, the audio waveform should automatically appear under your multicam video track. The process itself shouldn’t take too long, considering the fact that you’re rendering only the audio of your multicam clip. ![]() Just make sure that you’ve selected your multicam sequence, head over to Sequence in the top menu and choose Render Audio. Theo of MiesnerMedia will show us a super simple trick on how to tackle this annoying issue. ![]() Either way, it will be a lot easier if you have direct access to the audio waveform in your final multicam sequence instead of going back to the source sequence containing all separate audio tracks. Or, you just want to enhance the dialogue of your corporate video once the rough edit is completed by adding a few sound effects here and there. How many times did you get frustrated by the fact that you can’t access or even see the audio waveform when editing your multicam sequence in Premiere Pro CC? Maybe, you’ve just finished editing a music video for a client shot on multiple cameras and you need to replace the current audio mix with the final master.
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